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The Ethics of Jayber Crow

May 19th, 2014 | 11 min read

By Jake Meador

In The Humane Vision of Wendell Berry Anthony Esolen notes that Berry’s longest Port William novel, Jayber Crow, is in many ways a modern day retelling of Dante. Berry’s own language throughout the book suggests the comparison, as his narrator, the novel’s subject and namesake, makes frequent mention of “the Dark Wood of Error.” What’s more, it’s hard not to note the similarities in Jayber’s relationship to Mattie and Dante’s to Beatrice–in both cases the story’s narrator is drawn to God via the love he has toward a godly woman he will only know from a distance. To understand the broader argument, you should just buy the book.

But here I want to focus on the particular question of what specifically brings about Jayber’s conversion and what exactly Jayber is converting to. The setting of the novel is mid 20th century small town Kentucky, particularly the small town of Port William. The novel’s narrator and protagonist, Jayber Crow, is a seminary dropout and barber who is in his early 40s and has been back in the Port William area for about 20 years. In the opening scenes of the novel, we meet a character who embodies the independent spirit we often associate with Kentucky. In one scene he describes sitting in a classroom at the orphanage where he grew up, staring out the window, longing to be out in a field instead of sitting in a stuffy classroom going over boring lessons.

In another scene, the young Crow actually makes a run for it and gets some distance from the school before the headmaster, who bears the the wonderfully Dickensian name “Brother Whitespade,” sees him and chases him down, dragging him back to the school. Crow describes his deep-seated fear of sitting at the foot of a desk staring up at his superior and so “the man behind the desk” becomes a shorthand in the novel for all things modern, bureaucratic, and confining. It’s not an exaggeration to say that most of the decisions made by Jayber in the novel’s early days are built around resisting the man behind the desk and protecting his own independence and autonomy at any cost

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Jake Meador

Jake Meador is the editor-in-chief of Mere Orthodoxy. He is a 2010 graduate of the University of Nebraska-Lincoln where he studied English and History. He lives in Lincoln, NE with his wife Joie, their daughter Davy Joy, and sons Wendell, Austin, and Ambrose. Jake's writing has appeared in The Atlantic, Commonweal, Christianity Today, Fare Forward, the University Bookman, Books & Culture, First Things, National Review, Front Porch Republic, and The Run of Play and he has written or contributed to several books, including "In Search of the Common Good," "What Are Christians For?" (both with InterVarsity Press), "A Protestant Christendom?" (with Davenant Press), and "Telling the Stories Right" (with the Front Porch Republic Press).