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Time is Always Time: Christopher Nolan, T. S. Eliot, and Creatureliness

December 8th, 2020 | 14 min read

By Rhys Laverty

As one of very few directors billed above his stars, Christopher Nolan was almost in with a shout at reviving post-lockdown cinema. As it turned out, the late August release of Tenet was the last gasp off an overly-optimistic pandemic summer. Now, in December, with the next Bond movie delayed once more, the cinemas have hunkered down for the long winter.

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Rhys Laverty

Rhys Laverty (BA, GDip) works part-time for The Davenant Institute, alongside studying Davenant's MLitt degree. He writes a weekly blog for Ad Fontes (https://adfontesjournal.com/pulpit-and-pew/) and co-hosts the Ad Fontes Podcast (https://podcasts.apple.com/gb/podcast/the-ad-fontes-podcast/id1557560666). He also podcasts about film and TV on For Now We See (https://podcasts.apple.com/gb/podcast/for-now-we-see/id1489048495). He lives in Chessington, UK, with his wife and two children.

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