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Ana Siljak is Associate Professor of Humanities in the Hamilton Center at the University of Florida. Her current research and publications focus on Russian philosophy and religious thought. She is currently writing a book on the personalist philosophy of Nikolai Berdiaev and editing a translation of the correspondence between Nikolai Berdiaev and Jacques Maritain (forthcoming from McGill-Queen’s University Press).
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Ana Siljak is Associate Professor of Humanities in the Hamilton Center at the University of Florida. Her current research and publications focus on Russian philosophy and religious thought. She is currently writing a book on the personalist philosophy of Nikolai Berdiaev and editing a translation of the correspondence between Nikolai Berdiaev and Jacques Maritain (forthcoming from McGill-Queen’s University Press).
Ana SiljakTechnology
Whatever we create will be subject to error and entropy. And deifying imperfection and impermanence simply, and inevitably, leads to disappointment.
Ana SiljakFeaturedHistoryCulture Warhealth
So when Pilate saw that he was gaining nothing, but rather that a riot was beginning, he took water and washed his hands before the crowd, saying, “I am innocent of this man’s blood.” (Matthew 27:24) Our contemporary culture has […]
Ana SiljakBook ReviewsJournal 6Journal
50 years after the publication of 'Tinker, Tailer, Soldier, Spy' our low-trust society has changed, such that now we're all George Smiley.
Ana SiljakFeatured
“Eden is that old-fashioned House We dwell in every day Without suspecting our abode Until we drive away.” ~Emily Dickinson “We shall never find / That lovely land / Of might-have-been” ~Ivor Novello “Literature is called artistic when it depicts […]
Ana SiljakFeaturedJournalJournal 1
Victoria Smolkin. A Sacred Space is Never Empty: A History of Soviet Atheism. Princeton: Princeton University Press, 2018. $32.95, 360 pp. It is perhaps too easily forgotten that Soviet Communism began as a vibrant ideology, full of optimism for the […]
Ana SiljakFeatured
The Inquisitor of Dostoevsky's "Brothers Karamazov" provides a challenging lens through which to read D. B. Hart's "That All Shall Be Saved."