Is Depiction Endorsement? Filmmaker Responsibility in "Zero Dark Thirty" and "Django Unchained"

January 16th, 2013 | 6 min read

Of all the 2012 films nominated for best picture Oscars this year, two have gained press as much for their controversial content as for their awards-caliber quality. Those two films are Kathryn Bigelow’s Zero Dark Thirty and Quentin Tarantino’s Django Unchained.

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Brett McCracken

Brett McCracken is a Los Angeles-based journalist. He is the author of Hipster Christianity (2010) and Gray Matters (2013), and has written for the Wall Street Journal, the Washington Post, CNN.com, the Princeton Theological Review, Mediascape, Books & Culture, Christianity Today, Relevant, IMAGE Journal, Q Ideas, and Conversantlife.com. A graduate of Wheaton College and UCLA, Brett currently works as managing editor for Biola Magazine and teaches at Biola University. Follow him on Twitter @brettmccracken.

Topics:

Film Reviews/Hollywood

Quentin Tarantino

torture

movie violence

Zero Dark Thirty

Newtown

Kathryn Bigelow

Is Depiction Endorsement? Filmmaker Responsibility in "Zero Dark Thirty" and "Django Unchained"

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