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An Interview with Laura Dunn, Director of “The Seer”

March 17th, 2016 | 12 min read

By Jake Meador

Tomorrow I hope to publish a brief review of Laura Dunn’s new film “The Seer.” It’s a unique film and a hard one to pin down because while it is a portrait of Wendell Berry, Berry himself is never actually filmed for it. We only get archival photos of him and recordings of interviews with him. That said, what we do get is a unique film that does a marvelous job of helping viewers see what Berry sees when he looks at the world. And that is no small achievement. More tomorrow. For now, here’s the interview:

How did you first discover Berry’s writing?

I don’t remember, it was high school I think. I’d been interested in environmental issues for a long time, I’d been around agriculture for a long time (because of my mom’s job). It was mostly the non-fiction work that I started reading. When I was working on my feature “The Unforeseen,” which is very much a sibling to “The Seer”, I used a Wendell poem for that film and I met Wendell in that process and asked him to record his poem for the film. When I toured that film I was surprised at how few people knew who Wendell Berry was. When I finished I just imagined another film about his work. I thought to make a film that would in some way honor his work and his spirit and draw more attention to his work.

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Jake Meador

Jake Meador is the editor-in-chief of Mere Orthodoxy. He is a 2010 graduate of the University of Nebraska-Lincoln where he studied English and History. He lives in Lincoln, NE with his wife Joie, their daughter Davy Joy, and sons Wendell, Austin, and Ambrose. Jake's writing has appeared in The Atlantic, Commonweal, Christianity Today, Fare Forward, the University Bookman, Books & Culture, First Things, National Review, Front Porch Republic, and The Run of Play and he has written or contributed to several books, including "In Search of the Common Good," "What Are Christians For?" (both with InterVarsity Press), "A Protestant Christendom?" (with Davenant Press), and "Telling the Stories Right" (with the Front Porch Republic Press).