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“The Seer” Gets Wendell Berry Exactly Right.

March 18th, 2016 | 9 min read

By Jake Meador

I think most readers of Wendell Berry, “The Seer” director Laura Dunn included, start with Berry’s non-fiction. They pick up The Unsettling of America or The Art of the Commonplace and go from there. That’s not how I came to Berry. I started with Jayber Crow, a novel about a small-town Kentucky barber who lived in rural Kentucky nearly his whole life and was in Port William, a small village of several hundred, from 1937-1987.

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Jake Meador

Jake Meador is the editor-in-chief of Mere Orthodoxy. His writing has appeared in The Atlantic, Commonweal, First Things, Books & Culture, The Dispatch, National Review, Comment, Christianity Today, and Plough. He lives in his hometown of Lincoln, NE with his wife and four children.