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“The Seer” Gets Wendell Berry Exactly Right.

March 18th, 2016 | 9 min read

By Jake Meador

I think most readers of Wendell Berry, “The Seer” director Laura Dunn included, start with Berry’s non-fiction. They pick up The Unsettling of America or The Art of the Commonplace and go from there. That’s not how I came to Berry. I started with Jayber Crow, a novel about a small-town Kentucky barber who lived in rural Kentucky nearly his whole life and was in Port William, a small village of several hundred, from 1937-1987.

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Jake Meador

Jake Meador is the editor-in-chief of Mere Orthodoxy. He is a 2010 graduate of the University of Nebraska-Lincoln where he studied English and History. He lives in Lincoln, NE with his wife Joie, their daughter Davy Joy, and sons Wendell, Austin, and Ambrose. Jake's writing has appeared in The Atlantic, Commonweal, Christianity Today, Fare Forward, the University Bookman, Books & Culture, First Things, National Review, Front Porch Republic, and The Run of Play and he has written or contributed to several books, including "In Search of the Common Good," "What Are Christians For?" (both with InterVarsity Press), "A Protestant Christendom?" (with Davenant Press), and "Telling the Stories Right" (with the Front Porch Republic Press).