We’ve reached the end of adulthood in America according to AO Scott. Or at least of the patriarchal version of it, anyway, which Scott sees in three paradigmatic dramas of our era—Mad Men, Breaking Bad, and The Sopranos, whose protagonists and their downfalls allow us to “marvel at the mask of masculine incompetence even as we watched it slip or turn ugly.” On Scott’s reading, “in doing away with patriarchal authority, we have also, perhaps unwittingly, killed off all the grownups.” It’s a provocative, sweeping hypothesis of the sort that are useful for engendering conversations, even if it doesn’t stand up under analysis.
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