The film is being marketed as “the most controversial movie of the year”—controversy, of course, being the only way such a movie ever makes money. However, if it lives up to the trailer’s glimpses of sex, lies, and violence, it will simply be yet another film cut from contemporary Hollywood’s cloth. A Tinseltown movie featuring a rogue who shocks his peers with liberal views on sex?! How scandalous! How original! (Competition note: Touchstone Pictures presents their paean to Casanova just weeks after The Libertine is released.)
However, there is an element in Rochester’s story that could yield a truly controversial film. In popular British culture of old, John Wilmot was indeed legendary—but not as the foppish gent who, as the movie will highlight, wrote a pornographic play lampooning the king who commissioned it. Instead, Wilmot was renowned as one of England’s most famous deathbed converts to the Christian faith. Should this art-house flick boldly depict Wilmot’s ultimate redemption, should it illustrate the staggering ability of God’s grace to reach even the most desperate sinner—should it show us how a libertine once found true liberty—it may well prove to be the year’s most controversial film.
But my hopes aren’t high. Johnny Depp has already predicted it: I probably won’t like the Libertine.